All posts by hoatie@hotmail.com

Adouk Boucan

Image result for adouk boucan"

Adouk Boucan is a twenty-years-old composer and producer from Bordeaux. In a cold and broken groove, “Blanche” tells a terrible love story: that of the daughter of the Moon, came down on earth out of boredom and in order to discover imaginary metropoles inhabited by disturbing characters. One of them is to become her lover. Anachronistic and contradictory, the world she enters mixes double-basses and machines, yesteryear swing and nocturnal, trip hop sounds – edited from Amazon Editorial Reviews

Image result for the dead southThe Dead South, a gold rush vibing four-piece acoustic set from Saskatchewan, infuse the genre’s traditional trappings with an air of frontier recklessness, whiskey breakfasts and grizzled tin-pan showmanship. Their sound, build on a taut configuration of cello, mandolin, banjo and guitar, speeds like a train past polite definitions of acoustic music into the grittier, rowdier spaces of the bluegrass world. – from: thedeadsouth.com

Image result for reignwolf

Reignwolf is a Seattle based rock and roll band led by Saskatoon, Saskatchewans Jordan Cook.  Known for their raw sound and high energy performances, their powerful live show soon earned them a devoted following with appearances at major music festivals and dates opening for some of the most influential bands including Black Sabbath and Pixies. Often Cook performs solo playing guitar and singing while keeping the beat with a kick drum.

 

Afriquoi

Image result for Afriquoi
Afrquoi are a live African dance music project based in London. The masterful 5-piece show combines Gambian kora, Congolese guitar + Mandinka percussion styles with electronic music drawing on house, soca, hip hop, soul + jungle to create something entirely unique. A UK afro supergroup, with every musician a band leader in their own right, its members range in age across 3 decades, originating from Africa, the Caribbean and the UK.

Image result for nightmares on wax back to nature

“Back To Nature,” which features Kuauhtli Vasquez and Wixárika Tribe, is the first track from Nightmares On Wax’s 2018 album, Shape The Futurewww.behance.net. From the message, to the video collage to the music itself this music video is one of my favourites. Its so amazing viewed on fullscreen, (bottom right corner) but you wont be able to see the lyrics. Image: www.behance.net

All humans… share one spirit. All humans share one consciousness. But yet they wanna be separated “like my life, “my ideas”. They don’t realize that all humans share a huge pool of consciousness, of thought. All human thought vibrates at a certain frequency. Were all in communication. You know, when you exhale I breathe air, you breathe..were all together really. This is the way nature designed it. So that we will be sharing the earth, together. Theres a time, when you’re understanding mother earth, how nature is functioning. Nature and the earth, understand this relationship. Like, the earth itself is a huge magnet. So its creating energy, a magnetic force. The earth is giving it to us in a perfect and natural way. Everything in the material world comes from the spirit. The reason nature is alive is because theres a spirit thats being manifested constantly. So we said that everything comes from the spirit, from the energetic life source. And humans they just wanna take.They go, they gather, they take. They’re taking, just taking, taking, taking. Or they can say you have to give first…To the spirit. Everything from there you will receive…Take a couple breaths of air.  This is the same air that my family is breathing. This is the same air that they’re breathing in every part of the planet. Lets take care of this. We’re all eating the food that mother earth gives us everywhere, everybody’s food comes from the same earth. So lets create that global consciousness This planetary way of living.

Image result for Nino and Radiah

Nino Ferrer was born on 15 August 1934 in Genoa, Italy, but lived the first years of his life in New Caledonia (an overseas territory of France in the southwest Pacific Ocean), where his father, an engineer, was working. Jesuit religious schooling, first in Genoa and later in Paris, left him with a lifelong aversion to the Church. In 1963, Nino Ferrer recorded his own first record, the single “Pour oublier qu’on s’est aimé” (“To forget we were in love”). His first solo success came in 1965 with the song “Mirza”. Other hits followed, unintentionally establishing Ferrer as something of a comedic singer. The stereotyping and his eventual  success made him feel unable to escape from the constant demands of audiences to hear the hits he himself despised. Always having a depressive side to his personality, he would purposely try to antagonize his audience trying repel them from his concerts for demanding to hear the hits. In Italy, he scored a major hit in 1967 with La pelle nera (the French version is “Je voudrais être un noir” [“I’d like to be a black man”]. This soul song, with its quasi-revolutionary lyrics imploring a series of Ferrer’s black music idols to gift him their black skin for the benefit of music-making, achieved long-lasting iconic status in Italy. In 1975 he started breeding horses in Quercy, France. In 1989, Ferrer obtained French citizenship, which he explained as his “celebration of the bicentenary of the French Revolution.” A couple of months after his mother died on 13 August 1998, two days before his 64th birthday, Ferrer took his hunting gun and walked to a field of recently cut wheat then laid down near some trees he had painted before on canvas and shot himself in the chest. His wife Kinou, with whom he had two sons, had already alerted the gendarmerie after finding a farewell letter in the house. Next day, there were front-page headlines in most French and Italian newspapers, such as “Adieu Nino!”, “Nino Ferrer Hung Up His Telephone”, “Our Nino Has Left for the South.” They called him the Don Quixote of French show business.- Edited from Wikipedia

Released in 1974  Nino Ferrer’s Nino & Radiah was an album which found the French artist backed by the Lafayette Afro Rock Band. This laid back funk feel was quite a departure from his jazz and campy styles that he was know for. Its in my opinion his best work. Sadly, and much to Ninos dismay, it only sold around 45,000 copies worldwide.

 

 

A couple tracks off 1972’s Métronomie

 

 

Hard-hitting latin-tinged super-group Grupo Magnético formed from
backgrounds in funk, hip-hop, punk and soul, united by a love of Eddie Palmieri,
Tito Puente, Ray Barretto, Fania and classic New York salsa. Working with
legendary musicians from Cuba, Venezuela and America (who had played and
recorded with many of the names who’d originally inspired the group), the circle
was complete as the album was mixed in New York by Grammy winning latin producer Aaron Levinson.

Taking inspiration from a science fiction novel from 1969 by Michael Moorcock, the story is about a modern version of the first human being, who appears on earth as an adult child, being enthusiastic for discovering the great inebriation that freedom can give, the liberation of the body using the metaphor of dance

Chelou

 

Related image

Chelou is a man of many faces. In the studio, he likes to give his tracks a dream-like sheen emphasized by his vocals and electro-acoustic textures. Incidentally, house producer Maya Jane Coles spotted and enlisted him for her recent track “Darkside”, and they’ve become friends ever since. Up on stage with his subtly powerful drummer in tow, Chelou shows his love of the contrast between the calm and the storm, between moments of tenderness and fits of rage. He adds a bit of life to his repertoire – something a little more electric and stormy – by harking back to his teenage love of all things grunge. –  www.europavox.com                                                                                                                                                       

 

 

 

https://youtu.be/ODbGVFpvO3g

 

Image result for new kingdom discography

 

New Kingdom was an American rap rock group from New York City consisting of Jason ‘Nosaj’ Furlow, Sebastian Laws, and Scotty Hard. Formed in 1987, New Kingdom was known for its psychedelic, funk, and blues-influenced style and abstract lyricism. The duo released two albums on Gee Street Records in 1993 and 1996.  Beastie Boys and Rage Against the Machine were putting out albums around the same time so its hard to say who’s was influencing who, but there are clearly some similarities between them.

1993 debut, Heavy Load

1996’s Paradise Don’t Come Cheap

Siena Root

Image result for siena root

Siena Root is a Swedish rock band with its roots in late '60s and '70s rock music. Wishbone Ash, Deep Purple, Mountain and even Black Sabbath come to mind when listening to their music. The group was founded in Stockholm in the late'90s, and their sound is based on heavy organ, howling guitars, bass riffing and big drums. It is also often enriched with bluesy female vocals, various guest musicians and psychedelic desert rock vibes. 2009's Different Realities, arguably their best album, is a great fusion of psychedelic rock and Indian folk music.  
Some of my favourite tracks, with full albums below

https://youtu.be/IBNKo1ycRfQ

A really clean Live show.

 

Full Albums

Here Lies Man

 

Get to know Here Lies Man, the rockers who blend Afrobeat with ...Here Lies Man are a quintet originating from Los Angeles. Founded by members of Antibalas in the Spring of 2016, Here Lies Man mixes heavy fuzz rock with afrobeat and art rock to compose a sound all their own, taking the musical world by storm with their eponymous 2017 debut. The band gained quick attention for their “What if Black Sabbath played afrobeat?” thesis and was praised by many critics for an innovative musical style. – Article: fandom.com  Photo: The Georgia Straight

Their afrobeat vibe kicks in here..

Here Lies Man- Full Album

No Ground to Walk Upon – Full Album

Ritual Divination – Full Album

You Will Know Nothing – Full Album

Image result for Madison Cunningham

Orange County, CA native, Madison Cunningham, possesses a keen understanding of song craft that is perplexing for someone who’s just 22 years old. With an ear for melody that is reminiscent of early Joni Mitchell and approach to guitar and vocals that isn’t far off from long past heroes of Jeff Buckley or Nick Drake, Madison exhibits a unique ability to keep the listener on the edge as they explore her debut EP, Love, Lose, Remember. The oldest of five daughters, Madison picked up a guitar at the age of seven and was singing with her sisters and family in church by the age of 12. It was a happenstance meeting with producer Tyler Chester (Blake Mills, Sara Watkins) four years ago that helped Madison start to develop her approach as a songwriter. Released in early 2017, Love, Lose, Remember, showcases Madison’s ability as a songwriter and arranger with the lyrical content of someone who has lived twice the life of this young artist. – Redlight Management 

Rorschack

 

If there were anyone to label as an eclectic artist, it would be Noam Aharon, alter ego Rorschack. While the rest of us were playing video games and avoiding cooties, Aharon invested his time and energy into his love for music by the age of 12. From start to finish, Rorschack’s music successfully takes listeners on a trip across the world, creating a diverse experience as you jump from one song to the next. Aharon’s unique music can be credited to the jet setter lifestyle he has lived. Born and raised in Israel, Noam moved to Europe as a young adult to experience some of the world’s best cultural habits and the music scenes in Berlin, Spain and Italy. While spending four years in Kolkata, India, Rorschack dabbled in indo jazz world fusion, adding to his already expansive musical spread. 2008 brought Rorschack to where he is now – a member of the electronic music scene in California. There’s no doubt that he prides himself on having a unique sound combining everything from Middle Eastern to Indian and Persian music, as well as funk rock, jazzy beats, hip-hop groove and more. – Soundcloud                                   

 

 

Wind Horse serves up jazzy house offering with the LP ‘Cosmik Tapes’ from the eclectic French trio Nextune X Hugues. The project is the Brainchild of Ken Linh Doky (on piano) and Thibault Gatinel (on drums) who collaborates with Hugues Morisset, a talented trumpeter who shares the same artistic vision as the former duo. Together the Parisian tastemakers land a laid-back, juicy, jazz-inspired album that’s their interpretation of the intergalactic unknown which is simply outstanding. – Soundcloud

 

 

Following the outburst, there was darkness. Then came the stars. Only the strongest could withstand the vastness of the dark, whereas the light was fast and effective. This eternal battle between the light and the dark formed an unexpected balance. A balance for life. Throughout this endless conflict, byproducts came about. Planets, moons and humans. Amongst these humans, a pair of twins set out on a journey. A journey of discovery and expression through music. They reflect upon the might of the dark and all the sophistication it brings about. They tell the story of the lonely moon, struggling on its own against all the darkness. Join the twins in an epic story of the light and the dark. The Void and the Moon. The duality. The twin-hood of the universe. – Beatport

https://www.beatport.com/artist/lunar-plane/412621

 

Dub/Reggae

The Resonators are a UK-based live dub reggae band. They have released three albums: Resonators (2010), The Constant (2012) and Imaginary People (2016). The Constant: Deluxe Edition was released in 2014 and featured additional dub versions of previously released tracks and two additional remixes. Wikipedia

Resonators

 

Andrea Benini (b1977), also known as Mop Mop is a musician, music producer and composer from Italy. He has worked in jazz, funk and club music.

Biography

Discography

https://www.discogs.com/artist/335316-Mop-Mop

We’ve always known that there would come a time
When we would have to leave this planet behind
Space would be our home
Space would be our home
This world that we have loved
And in loving so deeply we abused
Like a mother abused her own child
Space would be our home
Space would be our home
They say it was another ship that brought us here
That we were?
And now from the windows of the last ship to go
We look out onto the barren field
The burnt roots of trees and black rivers
And this chemical rainforest
And this chemical rainforest
Space would be my home
Space would be my home
As we travel the space waves
We leave no paper trace
We hibernate through cryogenic sleep
Emerging into another world
In another time and space
And as we do we promise not to make the same mistakes again
Show me the great pyramids
The great planes
Show me a map of these constellations
A series of moons
Stars aligning
Show me the fertile springs
Let me build my house on stilts of?
Overlooking the valley of gold
Show me this place that they call home
And let me land this ship
Space would be my home
Space would be my home
So long they see us coming and call us CFOs
So long they call us extra terrestrial alien?
Not knowing that we are dead
And we come from a future where we have learned to walk the fabric of time and space
take my hand
Soon we will forget where we have come from

https://soundcloud.com/jazzdeville/plain-gold-ring-mop-mop-rework

 

 

World Beat

 

The term ‘World Beat’ music is often used to describe what, outside of the Western World, is just music. There are so many tempos, genres, and styles of what we call World Beat to the point where trying to lump them into one category seems almost pretentious, and incorrect cataloging at the very least. To address that here I have begun breaking this playlist down into playlists with more defined parameters, such as my Middle Eastern and World Dance Music playlists. The music on here ranges in tempo from slow folk to high energy dance beats, and covers many different types of “World Beat’ music, most of it African, Middle Eastern, Indian or Asian influenced.

 

 

Melissa Viviane Jefferson (born April 27, 1988), known professionally as Lizzo, is an American singer, songwriter and rapper. She is a founding member of indie hip hop groups The Chalice, Grrrl Prty, The Clerb, Ellypseas, and Absynthe. Her debut album, Lizzobangers, was released in 2013. She released her second album, Big Grrrl Small World, in 2015. Soon afterward, she released the 2016 major-label EP Coconut Oil. On April 19, 2019, she released Cuz I Love You, her third studio album. After struggling with body issues at an early age, Lizzo became an advocate for body positivity and self-love, while creating diversity the focus of her music, in regards to one’s body (in “Fitness” and “Juice”), sexuality (“Boys”), race (“My Skin”) and more. Her group of back-up dancers, the Big Grrrls, consists of all plus-size dancers. Highlighting body inclusivity and celebrating individuality, Lizzo appeared in ModCloth‘s “Say It Louder” campaign. It launched on June 11, 2018. In the same month, she sported the first plus-size outfit made for FIT‘s Future of Fashion runway show by Grace Insogna at an LGBTQ event at Pride Island. – Wikipedia

https://pitchfork.com/artists/33286-lizzo/

Sinkane is a Sudanese musician who blends rock, electronica, jazz and funk with Sudanese pop. He is signed to City Slang Records. Born to college professors in London, he lived in Sudan, then moved to the US when he was five, and lived for some time in Ohio. Prior to embarking on his solo career, he worked with Eleanor Friedberger, Caribou, of Montreal, Born Ruffians, and Yeasayer as a session musician. He is also the vocalist and music director of the Atomic Bomb! Band which plays the music of Nigerian funk musician William Onyeabor. The group includes David Byrne , Money Mark (Beastie Boys), Damon Albarn (Blur and Gorillaz), Dev Hynes (aka Blood Orange and Lightspeed Champion), Alexis Taylor (Hot Chip), Charles Lloyd, Amadou and Mariam, Jamie Lidell, Pharoah Sanders, Joshua Redman, among many many others.  – Wikipedia Photo: Tom Coyote

Discography

  • Sinisterals (2007)
  • Color Voice (2008) (Emergency Umbrella)
  • Sinkane (2009) (Emergency Umbrella)
  • Mars (2012) (DFACity Slang) Engineered and Mixed by Albert Di Fiore
  • Mean Love (DFACity Slang, 2014) Engineered and Mixed by Albert Di Fiore
  • Life & Livin’ It (City Slang, February 10, 2017)
  • Dépaysé (City Slang, May 31, 2019)

Brought together by Luaka Bop, Atomic Bomb! is an ever-evolving line-up of artists who perform the futuristic, synth-heavy, electronic Afro-funk of this West African synth pioneer. A core band comprising  Sinkane, Money Mark and Sarah Jones (Hot Chip) is complemented by vocals from David Byrne, Alexis Taylor (Hot Chip), and Mahotella Queens, with more special guests.

Founded in 2004, Barbès Records is a label devoted to the documentation of impure music – idiosyncratic hybrids borne out of tradition but twisted into new shapes by adventurous musicians from Peru, Poland, Chile, France or the US. https://barbes.bandcamp.com/

Las Rubias del Norte are a band from Brooklyn, New York formed by classically trained singers Allyssa Lamb and Emily Hurst. The band is known for playing Latin music including boleros, cha cha chas, cumbias, and huaynos. The name of the band is a pun on the well-known Mexican norteño band Los Tigres del Norte. Wikipedia

 

 

Lionize is an American rock band based in Montgomery County, Maryland. The sound of the band is rooted in hard rock, but they frequently experiment with varying sounds, such as reggae, dub music, go-go, and funk. Superczar and the Vulture and Destruction Manual are both heavily rock reggae. The band line-up consists of Chris Brooks, Nathan Bergman, and Henry Upton. – Wikipedia

  • “Nuclear Soul” (2017)

“Superczar and the Vulture” (2011

 

  • “Destruction Manual” (2011)

This is the most reggae influenced album of theirs

 

Jacob Banks, born 1991, is a British singer and songwriter from Birmingham. Jacob became the first unsigned act to ever appear on BBC Radio 1 Live Lounge. His music is influenced by a range of genres including soul, R&B and hip hop. Banks is currently signed with American label Interscope Records. In October 2012 he recorded his debut EP titled The Monologue which was released in January 2013. In April 2013, Jacob played his first headline show at the London St Pancras Old Church.  Banks features on Chase and Status’ “Alive” from their album, Brand New Machine. He also supported them, on their 2013 UK tour. Jacob also worked with artists such as Chase & Status, Bondax, Jake Gosling, Knox Brown, Plan B and Wretch 32. On 21 July 2015, Banks’ second extended play entitled The Paradox was released. It features a guest appearance from Odd Child Recordings rapper Avelino on the track “Monster”. In 2016, he was featured on Norwegian production team Seeb release “What Do You Love”. The song reached number 2 on VG-lista, the official Norwegian singles chart. On 9 March 2017, Banks premiered his two-part narrative video, written and co-directed by himself, for his single, “Unholy War”. The single is off his upcoming EP, ‘The Boy Who Cried Freedom’. –  Wikipedia

The Monologue – Released April 2013

The Boy Who Cried Freedom – Released April 2017

The Village – Released November 2018

 Elza Soares  b1937 is a Brazilian samba singer. In 1999, she was named Brazilian Singer of the Millennium by BBC Radio Radio. She was married to football player Garrincha. Her father was a factory worker and guitarist, and her mother was a washerwoman. She was born in a favela in Rio de Janeiro. During her childhood, Soares played on the streets, spun wooden tops, flew kites, and fought with boys. Despite poverty and having to carry buckets of water on her head, she had a happy childhood. When she was 12, she was forced by her father to marry Lourdes Antônio Soares, also known as Alaúrdes, and within a year later gave birth to her first child, João Carlos. Soares liked to sing, and when she needed money for medicine for her son, she participated in a vocal contest. When she was fifteen, she gave birth to her second child, who died. After her husband became ill with tuberculosis, she began working at a soap factory. At twenty-one she was a widow, alone to raise her children: four boys and one girl. She dreamed of becoming a singer. When she was thirty-two she had a relationship with soccer player Garrincha. She was vilified by Brazilian society, with many accusing her of breaking up his marriage. She was shouted at in the street, received death threats, and her house was pelted with eggs and tomatoes. On April 13, 1969 her mother died in a car accident. Garrincha, Soares, and her daughter Sara were also injured. Garrincha was driving drunk when a truck merged into the lane and Dona Rosário was thrown from the vehicle and killed. Soares and Garrincha remained married for sixteen years (1968–1982). Garrincha’s friends did not accept Soares as his wife, instead calling her a “witch.” Soares tried to curb her husband’s dependence on alcohol by visiting bars and pleading with them not to serve her husband. The couple had one child, a boy, born in 1976. In 1983 Garrincha died of cirrhosis. On January 11, 1986, her son died when he was 9 years old in a car accident as he was coming back from visiting his father. It had been raining and the driver lost control of the vehicle. The door opened and the boy was thrown into the Imbariê River. Soares was desolate and considered ending her own life. She left Brazil and toured Europe and the United States. After many years of searching for her long lost daughter, they were reunited after Soares returned to Brazil. On July 26, 2015 Soares lost her fifth son, Gerson, when he was 59 years old. He died of complications of a urinary tract infection. Soares had six children: João Carlos, Gerson, Gilson, Dilma, Sara, and Garrincha. Wikipedia

A few singles to give you a feel – Full albums posted below

She was born in 1937 and this came out in 2018. 82 years old and still making next level music. In fact over the years she has become more experimental, incorporating elements of electronica and trip hop in to her sound.

 

Deus é Mulher – Full Album ( 2018)

00:00 | O Que Se Cala (Douglas Germano) 03:49 | Exú nas Escolas – Part. Especial Edgar (Kiko Dinucci e Edgar) 07:34 | Banho – Part. Ilú Obá de Min (Tulipa Ruiz) 11:03 | Eu Quero Comer Você (Romulo Fróes e Alice Coutinho) 15:32 | Língua Solta (Rômulo Fróes e Alice Coutinho 21:00 | Hienas na TV (Kiko Dinucci e Clima) 24:51 | Clareza (Rodrigo Campos) 28:58 | Um Olho Aberto (Mariá Portugal) 32:35 | Credo (Douglas Germano) 35:45 | Dentro de Cada Um (Pedro Loureiro e Luciano Mello) 39:44 | Deus Há De Ser (Pedro Luis)

 

A Mulher do Fim do Mundo Full Album (2015)

01 – 00:00 “Coração Do Mar / Mulher Do Fim Do Mundo” 02 – 05:59 “Maria Da Vila Matilde” 03 – 09:43 “Luz Vermelha” 04 – 14:15 “Pra Fuder” 05 – 18:11 “Benedita” 06 – 23:16 “Firmeza” 07 – 26:49 “Dança” 08 – 30:23 “Canal” 09 – 33:30 “Solto / Comigo”

 

 

 

 

Vivo Feliz – 2003

00:00 1. Intro 00:25 2. Opinião (Zé Keti) 04:53 3. Eu Gosto Da Minha Terra (Randoval Montenegro) 08:24 4. Rio De Janeiro (Anderson Lugão) 12:15 5. Volta Por Cima (Paulo Vanzolini) 15:52 6. Somos Todos Iguais (Elza Soares) 20:25 7. Two Tac (Anderson Lugão) 24:32 8. Concórdia (Nando Reis) 28:39 9. Computadores Fazem Arte (Fred 04) 36:19 10. Lata D’água (Elza Soares)

 

 

                                                                               Do Cóccix Até O Pescoço (Álbum Completo Oficial – 2002)

00:00 1 – Dura na Quea (Chico Buarque) 04:00 2 – Hoje é Dia de Festa (Jorge Benjor) 08:50 3 – Haiti (Caetano Veloso, Gilberto Gil) 13:13 4 – Dor de Cotovelo (Caetano Veloso) 16:49 5 – Bambino (Ernesto Nazareth, José Miguel Wisnik) 20:14 6 – A Carne (Seu Jorge, Marcelo Yuka, Wilson Cappellette) 23:55 7 – Eu Vou Ficar Aqui (Arnaldo Antunes) 29:47 8 – Etnocopop (Carlinhos Brown) 33:41 9 – Fadas (Luiz Melodia) 37:42 10 Flores Horizontais (Oswald de Andrade, José Miguel Wisnik) 42:15 11 – A Cigarra – part. especial Letícia Sabatella (Elza Soares, Letícia Sabatella) 46:46 12 – Quebra Lá Que Eu Quebro De Cá Não Volto Atrás  53:55 13 – Todo Dia (ABM de Aguiar) 56:05 14 – Façamos (Vamos Amar). part. especial Chico Buarque (Cole Porter, Vrs. Carlos Rennó)

 

Pilão + Raça = Elza (1977)

01 – Língua de Pilão (Elza Soares) 00:00 02 – Enredo de Pirraça (Elza Soares e Gerson Alves) 02:31 03 – Aldeia de Okarimbé (Aloísio, Cesar Veneno e Naval 06:13 04 – Sombra Confidente (Gerson Alves) 08:17 05 – Perdão Vila Isabel (Elza Soares e Gerson Alves) 12:01 06 – Perdão Amor (Jorge Aragão e Neuci) 14:46 Lado B: 07 – De Pandeiro na Mão (João Roberto Kelly) 18:07 08 – Só Tem Um Jeito Agora (Roberto Neves) 20:42 09 – Amor Aventureiro (Décio Antonio Carlos e Silas de Oliveira 23:34 10 – Compositor (Rildo Hora e Sérgio Cabral) 26:46 11 – Prezado Amigo (Rildo Hora e Sérgio Cabral) 29:03 12 – Só Uma Lágrima (Acyr Pimentel) 31:58

 

Pronto Livre – 1974

1 – Bom Dia Portela (Bebeto De São João, David Correia) 2 – Pranto Livre (Everaldo Da Viola, Dida) 3 – Não É Hora De Tristeza (Walter Da Imperatriz, Lino Roberto, Wilson Medeiros) 4 – Meia Noite Já É Dia (Norival Reis, David Correia) 5 – Desabafo (Nezinho, Campo, Tatu) 6 – Partido Do Lê Lê Lê (Otilo Gomes) 7 – Deusa Do Rio Niger (Motorzinho, Walter Norambê) 8 – Quem Há De Dizer (Alcides Gonçalves, Lupicínio Rodrigues) 9 – Louvei Maria (Elza Soares) 10 – Xamêgo De Crioula (Zé Di) 11 – Falso Papel (Dario Marciano) 12 – Giringonça (Josealdo Fraga)

Zuricha, with his background in classical, folk, experimental, pop, electronic and dance music, fuses his records with a large variety of sound textures and short musical stories interweaved gracefully to imbibe the listener into its deep, soothing and at the same time melancholic world. Zuricha used his wide arsenal of the musical crafts to create this unique soundscape. Soft and dynamic dance elements mixed with the live guitars, together with calm, emotive vocals and acoustic guitar . You cannot identify one specific style or influence here and one can certainly feel immaculate taste, precise execution and kindness at its soul when you listen to Zuricha´s music. Traxsource Distributed By Symphonic Distribution – www.symphonicdistribution.com

Inside Out – Released May 2018

Benjamin Kilchhofer is not new to the world of recorded music, yet he doesn’t seem to fit into a particular scene or group. As an outsider he is, however, fully immersed and melded into his own universe. He mentally escapes to a parallel world and weaves an alternate reality which would otherwise not exist in his daily life. Kilchhofer avoids the spotlight and therefore isn’t really visible in today’s culture of ever changing content and social media. This is where Marionette steps in to attempt to shed as much light as possible on this unique and incredibly talented artist. – Soundcloud

 

Akele Wube

Sost | Akalé Wubé

Akele Wube are a group from Paris France who draw their musical inspiration from 60’s and 70’s Ethiopian Jazz, also know as Ethiopian Groove.

Akalé Wubé’s second album Mata.

 

Mata Remixed

 

Akalé Wubé’s debut album.

 

Girma Bèyènè is a true legend of Ethiopian music. After an exile in the United States and a radio silence that lasted 25 years, he accepted with jubilation the invitation of the group Akalé Wubé to return to the front of the stage.

The comeback took place last September during a memorable concert with Akalé Wube at the Studio de l’Ermitage. Tracks (Arte), Le Monde, Libé relayed this major event that has aroused great emotion among fans of music ethio and beyond. https://fr.ulule.com/girma/

Some live clips

 

Eyal Talmudi + Roy Chen – Saved My Eyes From Tears ” This album wrote itself. It was time for a change in life, and music followed. Like it should be, drums came first to set the tempo and style. Then friends just laid keys, samples and most importantly (and for the first time for me) – lyrics. So true and honest. Still it’s hard for me to believe how easy it was to just let it happen. Thank you, loved ones, for just showing up at the right moment.” — Eyal Talmudi //

“There was magic around the recoding of this album. From laying down Roy’s first massive drum takes, the studio filled up with energy, vibrating straight to Talmudi’s abstract and beautiful saxophone melodies.
We created a very dynamic and high end set up in Kicha Studios, Tel Aviv; it was a pleasure for the guest musicians on the album, who jumped right in the sessions and gave an amazing input.
I feel that the album is intensive and comforting, made by good friends together yet still full of real and happy loneliness.” — Rejoicer //
Released: October 2014

Saxophone, Clarinet & Flute – Eyal Talmudi Drums & Percussion – Roy Chen

Synths – Rejoicer

Vocals & Lyrics – KerenDun, Shai Tzabari, Miss Red & Maya Dunietz

Cuts – DJ Werd & DJ Mesh

Synths – Omri Mor , Asaf Talmudi , Moshe Levi , Werd

Percussion – Roni Ivrin

 

Anders Osborne

Old Settlers Music Festival Celebrates 30 Years In Grand Style ...
Born 1966 in Sweden, Anders Osborne is an American singer/songwriter who tours solo or with his band, as well as playing in North Mississippi Osborne (N.M.O), a group formed by Osborne and North Mississippi Allstars. As a teen, Osborne started playing guitar and listening to Bob Dylan, Neil Young, Jackson Browne, and Joni Mitchell records. He was influenced by the vocal styles of Ray Charles, Van Morrison and Lowell George, Robert Johnson and recordings of African drumming. "Blues connected everything together for me," Osborne recalls. "The early rock, the R&B, the jazz, the singer-songwriters. Blues was like a thread running through everything." He began playing in Open D tuning, which gives his fretwork a signature sound and feel. "I first heard Open D on Joni Mitchell's Blue" he says, "and my fingers just fit the tuning." Wikipedia 

 

 Yeah, the colours of the morning, look so pretty without the cocaine, shimmering like a diamond mine. But there's something about ol' Shane, wants you to be in pain, it wants it all the time. Counting drinks and bottles planning my big exit staring at that cigarette in your mouth. I don't need your understanding, the pity or another meeting, I just want you to look away for just one day....ah fuck it, so sick of this liquor drought. Still looking for a piece of me nothing drag through the misery and always need your help. Just a glimpse of who I am when I'm able and I can do something good for someone else. Still counting drinks and bottles planning my big exit staring at that cigarette in your mouth. I don't need your understanding, pity or another needle I just want you to look away for just one day yeah fuck it, so sick of this liquor drought. Counting drinks and bottles, planning my big exit Just staring at the cigarette in your mouth. I don't need your understanding your pity or another meeting, I just want you to look away for just one day, so sick of this liquor drought

 

                                                                          Mind of a Junkie - Some real Neil Young vibes on this one. 

Yeah Im nervous Im sweating I hate to make amends, bunch of opinions but I'm always on the fence. Pissed off and sad at the same time please somebody save me from my crazy mind. I try to read the big book but I can't see the words every time I meditate the whole things a blur, panic attacks and short of breath I try to get things done when my body needs to rest. I've been living in the mind of a junkie thinking my junkie thoughts putting out my selfish aspirations, oh not letting God into my heart. I don't pick up the phone and I cant sleep I ain't got no appetite but I still over eat I want peace and quiet but I keep running my mouth my soul is like a hurricane but I am still filled with self doubt. I hate the way I look and my ego's always bruised I isolate myself I get some more tattoos. Im always running late so I can't make any plans Im preaching about stuff that I dont understand. I've been living in the mind of a junkie thinking my junkie thoughts Im putting out my selfish aspirations, oh not letting God into my heart. 

 

                                      Born to Die Together

 

Born to Die Together –  Live. A great guitar jam off from 4:25 – 7:25

 

 Anders the Mountain Man! His sound with The Stanton Moore Trio is much more boogie & blues oriented.

 

 

Marenn Sukie

Chris Roth, AKA Marenn Sukie is an accomplished sample manipulator whose richly organic sounds call to mind ‘Rounds’ era Four Tet and the sophisticated jazz of Cinematic Orchestra. Mining audio gold from the widescreen productions of classic 70’s music Roth balances an interest in contemporary beat culture with a winsome eye for the golden sounds of the past. “My tracks have usually around 30 different samples in one tune,” Roth explains “I make a point to never sample ‘loops’ – it’s a mix of pitching samples then maybe adding a synth for bass lines.” The Mosaic EP spans a wide range of moods and tempos – genre is fluid in the world of Marenn Sukie; house, drum n bass and jazz bleeding together, creating a beguiling blend all Roth’s own. Released May 11, 2018 – from Bandcamp

Hailing from the sonic vortex of Melbourne’s music community, WVR BVBY bring a live infusion of Down-tempo, Cinematic Prog and Jazz through what they like to call, Intergalactic Hard-Groove. Emerging from several Melbourne showcases in 2017, Including Melbourne International Jazz Festival, Strawberry Fields Festival and PBS & The Foreign Brothers’ ‘MOMENTUM’. Melbourne’s Intergalactic Groove outfit, WVR BVBY, entered 2018 with an exclusive 10” white label release on Plug Seven Records that includes 2 singles from their Record Store Day Album Debut, out April 21st 2018. Taking inspiration from crate digger culture, 70s production techniques, LA session musicians Miguel Atwood-Ferguson and Kamasi Washington, WVR BVBY fuse these timbres and tonalities with a Melbourne interpretation and a direction towards a cinematic environment. The large ensemble of musicians, who each hold down their own unique styles, work together through an electric journey of roaring horns, synth arpeggiation and an exploration of rhythm interplay and meditative grooves.- Soundcloud

The Malah have been captivating ears across the country with their organic, electro grooves since 2003. Having recently relocated to the burgeoning music scene in Colorado, by way of Greenville, SC, The Malah have spent the last decade touring relentlessly, mastering their sound, and gaining a devout fan-base along the way. In a scene where live-electronic music is running rampant, the Malah have managed to stand out by mixing rich, earthy atmospheres with electrifying rhythms. The trio explores the meeting point of cutting-edge technology and ancient musical theory, creating a unique sound that is praised in both the “Jam” and “Electronica” communities. The music is constantly evolving and brings together influences from an endless array of genres including Rock, Funk, Hip Hop, Jazz, World Beat, and Breakbeat with an effortless transition.

 

Widespread Panic has been together for over 30 years. Formed by original members vocalist/guitarist John “JB” Bell, bassist Dave Schools and late guitarist Michael Houser, who lived together in a suburban house in Athens, GA, where they met as students not far from the University of Georgia campus, later to be joined by drummer Todd Nance. The band’s line-up was solidified with the addition of percussionist Domingo “Sunny” Ortiz and keyboard player John “JoJo” Hermann and Duane Trucks on drums. See full bio..http://www.widespreadpanic.com/bio

Woods

 

Songs We Love: Woods, 'Sun City Creeps' : NPR

Woods is an American folk rock band from Brooklyn, New York. Formed in 2005, the band consists of Jeremy Earl, Jarvis Taveniere, Aaron Neveu, Chuck Van Dyck, and Kyle Forester. The band’s former bassist is Kevin Morby, who left the band in 2013. Woods have released nine albums, the latest being Love Is Love. – Wikipedia

 

English Patiperro EP is the first official release of ¨El Extravagante¨, Felipe Nadeau’s side project and a release through Regional Label. A mix of Electronic Folklore, Digital Cumbia and World Music, with the remixes of some of the most promising artists of these genres in Latin America. Available for free download below. -Soundcloud  https://soundcloud.com/selloregional/… * https://soundcloud.com/elextravagante

 

Image result for hope medford

 

Hope has always been involved in healing & creative arts, from visual arts & music, to sustainability education & community health.
Music:  The hand drummer for  world roots rock band, Medicine for the People (Nahko.com) since 2007, Hope has been playing percussion for over twenty years.  Her first teacher was Babatunde Olatunje, and she has studied with master drummers in West Africa, Peru and Brazil.  She is honoured to use indigenous instruments on a modern stage.  Hope has also facilitated drum circles and taught rhythm classes to over 2,500 participants.  She also has her own solo music projects; her most recent is her third album, ‘Bring to Light’
 Art:  Hope has been painting since childhood. She often combines rich colour and lines, poetry, and textures of natural earth elements to tell the story of her journeys, and create worlds seen through her dreams, travels, and visions.  Hope has been painting since childhood.
Environmental & Social Projects :   Hope was a founding board member of Tryon Life Community Farm, an environmental education centre in Portland, Oregon.  She  co-created and taught their education program, which includes a fusion of permaculture, natural  building, sustainable energy and social justice.   Hope is a board member of Honour the Earth, an indigenous environmental justice project, working alongside the Indigo Girls and Winona LaDuke.
Women’s Health & Birth:  Hope has trained and worked as midwife and doula, a graduate of the National College of Midwifery, and has attended over 400 births in the U.S., Indonesia, and Africa, where Hope worked at a village birth centre with the African Birth Collective.  This inspired her to work harder to educate and raise awareness for women as to their options for their health, thus Hope began Artemis Healing Arts (artemishealingarts.com) education program and has taught natural birth classes in Peru, Brazil, Bali and at FIndhorn, in Scotland as well as in the US. –
Article & Image: hopemedford.com

 

Rising Appalachia is an American folk music group led by multi instrumentalist sisters Leah and Chloe Smith. Leah also performs as a solo artist under the name Leah Song. Based between Southern Appalachia and New Orleans, the sisters work with an array of international musicians and the band incorporates everything from simple harmonics with banjos and fiddles, to a wide variety of drums, kalimbas, beatbox, djembe, baliphone, congas, didgeridoo, tablas, spoons and washboard creating a full mix of world, folk and soul music. Castanea is the moniker for Rising Appalachia’s David Brown: multi-instrumentalist, producer

Remix Album released 20 December, 2018.

A mixture of Peruvian, Colombian and New York musicians, La Mecánica Popular is part of the new wave of tropical music. Steeped in the roots of 1970’s era salsa dura and heavily influenced by the psychedelic experimental sounds of Peru, the band combines a proper dose of ambience and hard rhythms.   – Bandcamp

‘Riders on the Storm’

‘Thriller’

https://soundcloud.com/nyctrust/la-mec-nica-popular-guajiro

 

Son Little


Image result for son little

Son Littles music touches on soul, blues, hip-hop and reggae. Samples, fuzzy guitar and simple drums work together to create an undeniable groove and NME called his sound “pure, heart-spilled-over-the-road soul.” Born in Los Angeles to a preacher and a teacher, as a kid Son (formerly known as Aaron Livingston) absorbed songs from dusty family records and learned saxophone and piano, though he felt more at home inventing his own language on those instruments rather than following the lesson plan. Adapt or die, as they say. Cycling through jazz, rock and R&B history, the hungry young son was beginning his true education. He moved east, then to Philly. He loves to write, he lives to write – and even though there have been lapses of time, he always comes back to it as both a vocation and a joy. There are many channels to Son Little’s broadcast, varied stops on the dial, from blues to soul to funk to folk, and juke-joint jazz and chamber pop and back again. His voice—raw, weary yet alert, grave and gravelly, Marvin and Otis and Stevie all at once—soars and creeps, cracks and moans. His songs haunt, thrill, yearn and stomp like all the best work of his heroes. He has collaborated with highly respected artists like The Roots and the producer/DJ RJD2. And more recently, he had the distinct honour of producing legendary gospel singer Mavis Staples’ 4-song EP, Your Good Fortune, in addition to writing two of the songs on the recording. The collaboration inventively merges Staples’ iconic and soulful voice, renowned as part of The Staple Singers and as a Grammy-winning solo artist, with Little’s talent for reconfiguring the sensibilities of genres including soul, hip-hop and heavy rock. The resulting tracks retain every bit of Staples’ emotional delivery, while adding an array of modernist sounds created with the cut and paste methodology of contemporary hip-hop. VFF

https://youtu.be/h9do1cdja-8

 

 

 

 

“I am very happy to present this album – made with love for music and spiritual search.
Rejoicer’s effortless and easy approach to the creation process kept the music and workflow fresh, while some of my good friends, who also happen to be my favorite musicians, contributed to the amazing atmosphere in the studio.
This music was created first of all in the name of music.”– Sol Monk

“we visioned the album to be banging and surprising from the start so we used hella side chain, extreme drums mic-ing positions, weird old vinyls and massive analog synths” — Rejoicer (The Dove)

Budos Band – Afro Soul

The Budos Band is an instrumental band recording on the Daptone Records label. The band has nine members (with occasional guests) who on their first studio albums, played instrumental music that was self-described as “Afro-Soul,” a term and sound which – in a 2007 interview – baritone saxophone player Jared Tankel elucidated as being drawn from Ethiopian music the band had been listening to that had a soul undercurrent to it. Since this time, the band has moved toward playing what they refer to as “70’s Psychedelic Instrumental Music.”Jazz, deep funk, Afro-beat, soul and heavy-metal influences can be heard in the Budos Band recordings, all of which were released on Daptone Records and recorded at the label’s own studio, Daptone’s House of Soul, in Brooklyn, New York. Though they reside in Brooklyn The Budos Band have toured most of North America, Several countries in Europe and parts of Australia. Wikipedia

                                                                                            Some live clips.

https://youtu.be/6gHdaoFALXI

 

Those Shocking Shaking Days: Indonesian Hard, Psychedelic, Progressive Rock and Funk 1970-1978

Editorial Review from Amazon – The progressive music scenes in 1970s Indonesia were largely underground as a result of strict censorship imposed by the dictator Suharto. Those who performed music marked by relentless fuzz, over the top, politically charged lyrics, strong rhythms and a cranky low-fidelity were truly rebellious. And the resulting output has been largely outside of the confines of this island nation unheard or ignored. Indonesia, based in large part on the restrictions imposed by Suharto, is better known for the coffee it exports than the music it creates. This situation hasn’t been remedied by the rough-hewn Indonesian bootlegs that dotted the psychedelic landscape over the past five years. Thanks now to the tireless and expensive research of Canadian hip hop producer and Southeast Asian music specialist Jason Moss Connoy – and the trust that Indonesian rock legend Benny Soebardja placed in Now-Again Records as he traversed his homeland’s islands securing the rights necessary for us to offer you this anthology – we feel like we can, in good spirits and conscience, shine the light on some of the most impressive organizations to offer their take on the psychedelic and progressive rock and funk sounds during the early shocking, shaking days of Suharto’s regime.

                          Its all great but here are 7 of my favourite tracks off the album

Nasambu and the Mystic Nomads based in Los Angeles and Nairobi, infuse African music with jazz, reggae, latin and funk grooves that bring crowds to the dance floor while the soul stirring lyrics and melodies depict the realities of today’s mystic nomads. 

First video release from Activate Afrika

Activate Afrika  was released in 2012 and produced by  Nasambu and her band, The Mystic Nomads, The Mystic Nomads are: Huit-Kilos ~ Lead Guitar Michael McTaggart ~ Rhythm Guitar Dale Black ~ Bass Thiane Diouf ~ Djembe Jayson Fann ~ Congas, Percussion Sandie Castaneda ~ Drums , and of course Nasambu ~ Vocals, Producer

An excellent drummer who appeared in many types of settings, Idris Muhammad became a professional when he was 16. He played primarily soul and R&B during 1962-1964 and then spent 1965-1967 as a member of Lou Donaldson‘s band. He was the house drummer at Prestige Records (1970-1972), appearing on many albums as a sideman. Of his later jazz associations, Muhammad played with Johnny Griffin (1978-1979), Pharoah Sanders in the 1980s, George Coleman, and the Paris Reunion Band (1986-1988). He recorded everything from post-bop to dance music as a leader for such labels as Prestige, Kudu, Fantasy, Theresa, and Lipstick. Muhammad, who retired to New Orleans from New York City in 2011, died in July 2014 at the age of 74. – AllMusic Artist Biography by Scott Yanow

Power of Soul- 1974

This album is one of the reasons that Idris Muhammad is regarded as the drumming king of groove. Featuring the arrangements and keyboards of Bob James, the saxophone punch of Grover Washington, Jr., guitarist Joe Beck, trumpeter Randy Brecker, percussionist Ralph MacDonald, and the knife-edge slick production of Creed Taylor, this 1974 issue is a burning piece of deep, jazzy soul and grooved-out bliss. The funk flies fast and heavy, particularly on the title track (Jimi Hendrix‘s tune), with soaring solos by Grover and James, who fall down in the groove to Muhammad’s powerful pace, setting from the heart of the pocket. Beck‘s own solo is special in that he moves against the tempo just a bit, but that only increases the listener’s dependence on the groove of Muhammad. Clocking in at only 34 minutes it’s a perfect slice of the raw-onion emotion Muhammad was pulling down at the time.  – AllMusic Review by Thom Jurek

Peace & Rhythm 1971

Parts of the second solo album by Prestige Records’ house drummer, Idris Muhammad, are an even poppier affair than Black Rhythm Revolution, with a mellow soul-jazz feel replacing the slight Latin tinge of the earlier album. Side one is downright crossover, with its two pieces of positive-thinking pop (the lyrics, by Muhammad, are sung by his wife, Sakinah Muhammad) separated by a loose but faithful take on Wilson Pickett‘s “Don’t Knock My Love.” That’s just side one, though. Side two is something much weirder and far more interesting. “The Peace and Rhythm Suite” is a side-long suite consisting of two long, spacy compositions that predate the ambient house scene by nearly two decades yet sound entirely of a piece with that style. Long, droning, sustained chords on a variety of wind and reed instruments float above Muhammad‘s percussion, which ebbs and flows in a free, almost arrhythmic way through most of the piece. Fans of the Orb or Brian Eno will find it an old hat, but for early-’70s jazz, this was downright revolutionary. – AllMusic Review by Stewart Mason

 

Arp Frique

Image result for arp friqueImage: North Sea Jazz Festival

Jam rock meets latin tinged disco funk with Neils Nieuborg aka Arp Frique, featuring musicians from Surinam and Cape Verde. Hailing from Rotterdam, Nieuborg is a key member of the Dutch live music scene.

 

 

‘Nos Magia’ was shortlisted for Track of the Year 2017 at Gilles Peterson’s Worldwide Awards

 

Arp Frique performing live at the Musée de la danse in Rennes, France, during Trans Musicales 2018. Recorded December 8, 2018.

 

 

Arp Frique’s live performance at Dekmantel Connects.

 

 

Barrington Ainsworth Levy born 1964, is a Jamaican reggae and dancehall artist. He formed a band called the Mighty Multitude, with his cousin, Everton Dacres; the pair released “My Black Girl” in 1977. Levy established his solo career the next year with “A Long Time Since We Don’t Have No Love”; though the single was a failure, the fourteen-year-old was a popular performer at Jamaican dancehalls.  In an August 2014 interview with Midnight Raver, record producer Delroy Wright revealed that it was his brother Hyman Wright who first met Barrington Levy in the mid-1970s through Wade “Trinity” Brammer. According to Delroy Wright, Hyman Wright recorded a host of tracks with Barrington Levy prior to introducing him to Henry “Junjo” Lawes. These tracks would eventually appear on the album Bounty Hunter, which was released on the Jah Life record label. Both record producers recorded several singles with the Roots Radics, including “Al Yah We Deh”, “Looking My Love”, “Englishman”, “Skylarking”, “Wedding Ring Aside” and “Collie Weed”, all of which became hits and established Levy’s career. Levy’s next few singles were similarly successful, including “Shine Eye Girl”, “Wicked Intention”, “Jumpy Girl”, “Disco Music”, “Reggae Music”, “Never Tear My Love Apart”, “Jah”, “You Made Me So Happy” and “When You’re Young and in Love”. Levy then recorded several duets with ToyanJah Thomas and Trinity, and appeared at Reggae Sunsplash in 1980 and 1981. Although albums were not terribly important in Jamaica at the time, Levy released four albums before 1980: Shaolin TempleBounty HunterShine Eye Gal (United Kingdom) and Englishman, a critically acclaimed record. His success led to many earlier studio and sound system performances being reissued without his consent, releases he described as “joke business”. By the time his 1980 album Robin Hood was released, Levy was one of the biggest Jamaican stars, and saw his international fame growing as well, especially in the United Kingdom. Levy made his debut as a producer on the rare 1981 showcase album titled Run Come Ya, which was issued on the Canadian Puff Records label. Taking a break from albums, Levy then released a series of hit singles, including “Mary Long Tongue”, “In the Dark”, “Too Poor”, “I Have a Problem”, “Even Tide Fire a Disaster”, “I’m Not in Love”, “You Have It”, “Love of Jah”, “Under Mi Sensi”, “Tomorrow Is Another Day”, “Robberman”, “Black Roses”, “My Woman” and “Money Move”. He began working with Paul “Jah Screw” Love and toured the UK in 1984, where he enjoyed a big hit on the reggae charts with “Under Mi Sensi”, which was followed by the crossover hit “Here I Come”, which reached number 41 in the UK Singles Chart in 1985. He returned to LPs with Lifestyle and Money Move, followed by a British hit album called Here I Come; Levy received the Best Vocalist prize at the British Reggae Awards in 1984. The late 1980s saw Levy, now in his twenties, slow down his recorded output, though he continued to perform and record regularly, and played at Sunsplash every year from 1987 to 1995.[2] His fortunes were revived by two cover versions of Bob Andy songs – “My Time” and “Too Experienced”, both produced by Jah Screw, and he was signed by Island Records in 1991 for the Divine album. In 1991 he returned to the UK chart with “Tribal Base”, a single by Rebel MC featuring Levy and Tenor Fly, which reached number 20.[2] In 1993, Levy tried to break in the United States with the Barrington album, produced by Lee Jaffe, Andre Betts and Sly & Robbie, but it failed to give him the breakthrough he wanted and his relationship with MCA Records was short-lived. In the 1990s, Levy continued to release periodic hits in Jamaica, and more rarely in the UK, although his vocals were sampled and used in many underground and released jungle tunes. In 1998, he released Living Dangerously, which included a collaboration with one of Jamaica’s most prolific deejaysBounty Killer, and with Snoop Dogg. The release was one of Levy’s most successful since the start of the 1990s, and saw him finally achieve some success in the US.[3] Levy performed on two tracks on Long Beach Dub All Stars 1999 album Right Back, and also played a few shows with the band. He was featured on a 1999 track by the Rascalz titled “Top of the World“, also featuring K-os. Levy also appeared on two singles by rapperShyne (“Bad Boyz” and “Bonnie & Shyne“), and on a track for drum and bass artist Aphrodite’s 2000 album Aftershock. “Here I Come” returned to the charts in 2001, with a new version by Levy and Talisman P reaching number 37 in the UK. In 2004, he contributed to a track on the album White People by Handsome Boy Modeling School, a project by Prince Paul and Dan the Automator. He also did some collaborations with Slightly Stoopid on their 2005 album Closer To The Sun. Most recently,[when?] Levy made a guest appearance on the single “No Fuss” by Red-1 of the Rascalz, from his 2007 album Beg For Nothing. In September 2013 he released the single “Love the Way She Love”, a collaboration with Mr. Vegas, and announced an acoustic album featuring new songs and reworkings of old songs such as “Prison Oval Rock” and “Black Roses”. His album, Acousticalevy, was nominated for a Grammy Award for Best Reggae Album in 2016. Wikipedia

 

The Early Years 1979-194-  Released 2005

01. Shaolin Temple (0:00) 02. I’m Not In Love (1:50) 03. Run Come Ya (4:34) 04. Black Heart Man (7:44) 05. Full Understanding (9:50) 06. Wedding Ring (12:04)  07. Whom Shall I Be Afraid Of (12:43) 08. Skylarking (16:31) 09. Love of Jah (21:17) 10. Time is So Hard (24:18) 11. Jah Life (27:17) 12. Looking My Love (30:10) 13. A Yah We Deh (34:35) 14. Ragga Muffin (37:04) 15. Under Mi Sensi (40:45)  16. Jah is With Me (44:57)  17. Many Changes in Life (48:17)  18. Poor Man Style (50:44) 19. Mary Long Tongue (53:47)  20. Lost and Found (56:21) 21. Murderer (58:27) 22. Mind You Hurt My Mom (1:02:00)  23. Now-A-Days (1:02:29) 24. Revelation (1:02:58)  25. Captivity (1:06:32)  26. Collie Weed (1:07:15) 27. Look Youthman (1:08:16) 28. 21 Girls Salute (1:11:14)

Shiny Eye Gal- Released 1979

Tracklist: 1) A Ya We Deh , 2) Shine Eye Ga, 3) l Collie Dread, 4) Captivity, 5) Pretty Looks, 6) Revelation, 7) Christmas Day, 8) Jam Down

 

21 Girl Salute- Released 1981

BRIAN BENNETT was born in London in 1940 and by the late 1950s was one of the most sought-after percussionists around. As well as his solo work and collaborations he was a member of the Shadows, joining in 1961. He has been one of the top drummers in rock & roll for two generations, as well as a top arranger and an award-winning film and television composer. His multi-tiered career, which includes running his own record label, has made Bennett one of the most successful musicians of his generation, well into the 21st century. (extracted from All Music & Drummer world)

The 12 tracks I have selected in the playlist below cover mostly the space funk/abstract soul side of his repertoire.

Lincoln Sugar Minott was born in Kingston, Jamaica in 1956. He grew up in a poor area of West Kingston and from an early age developed a love of Reggae music and the music of Studio One in particular. As a teenager, he became selector for Sound of Silence Keystone and Gathering of Youth local sound-systems. By the late 1970s Minott had risen to become one of the biggest stars in Jamaican music. (continue reading below…) 

https://soundsoftheuniverse.com/sjr/product/sugar-minott-sugar-minott-at-studio-one

https://youtu.be/DN9fHbIXeI4

Rodrigo Amarante de Castro Neves (born September 6, 1976 in Rio de Janeiro is a Brazilian singer-songwriter, multi-instrumentalist, and occasional arranger. He is part of the bands Los HermanosOrquestra Imperial, and Little Joy, and released his first solo record, Cavalo, in Brazil in late 2013 and worldwide in May 2014. He also wrote and performed the bolero “Tuyo”, the theme song for the Netflix Original Series Narcos (2015). – Wikipedia

 

Tracks in Soundcloud:

https://soundcloud.com/search?q=Rodrigo%20Amarante

Biomigrant is the musical expression of producer and multi-instrumentalist Michael Alfred Wagner.  Born in the US, in 2014 he crossed Central America by bicycle, arriving in Colombia where he currently lives. With a Live Set that mixes vocals, flute, Colombian gaita, and trumpet with loops of traditional musicians and natural soundscapes recorded during travels through Latin America, and electronic productions drawing on influences from Global Bass, House, Downtempo, Dub, and Latin, Biomigrant has brought joy and surprise to dancefloors across the world. – Biomigrant page

Berlins Black Loops  makes music in the House/Deep House genre. Fuzzy funk and soulful female vocals combine to give a disco house vibe to much of his music.
Black Loops has released 7 EP’s on the respected German House Record label Toy Tonics, and also released noteworthy EP’s on Neovinyl Recordings, Pets Recordings, and Gruuv and Good Ratio.

7Hills EP- Released November 6, 2018 and first with Freerange Records
https://soundcloud.com/blackloops/sets/black-loops-7-hills-ep

 

Paris EP- Released Aug 31 2018

Higher EP-  Released November 24 2017

 

 

Red Light EP- Released June30 2017

Footshooter is the production moniker of south-east London based producer, DJ and musician Barney Whittaker. His production style blends the rhythms of UK dance music with the melodic textures and instrumentation of jazz and soul, alongside vocals, rapping and poetry from some of London’s most compelling new artists. – brainchildfestival.co.uk

Dub Techno Playlist- Dub Techno is a sub genre of techno that combines minimalist techno beats with elements of dub music, including its production techniques and cultural influences. In the early 1990s, producers Moritz Von Oswald and Mark Ernestus formed Basic Channel, a duo credited for defining dub techno. In addition to making the presence of minimalism commonplace in the techno scene, they also incorporated delay effects that were recurrent in dub music. They then formed the label Chain Reaction; while still releasing the same type of dub-infused techno that Basic Channel created, such as the track “Cyan I” by Monolake, the label also distributed techno without dub elements, such as Continuous Mode’s “Direct Out / Direct Drive”.[2] Regardless, what Thump writer Josh Baines described as a “thawing of ice as a sonic aesthetic” that was present in Basic Channel’s works before Chain Reaction still remained in all recordings issued under the label. Another label, Rhythm & Sound, was started by Oswald and Ernestus, and focused strictly on dub techno unlike Chain Reaction. The works of Rhythm & Sound featured representations of the sound system culture of Jamaica, the country where dub was formed, as well as authentic elements of the roots of dub. According to Baines, this type of dub techno was “the kind of smoked out dub that’s an approximate aural recreation of the effect that incredibly potent marijuana  has on the brain” and “a haunting, haunted, tripped out site of memorial exploration” where “Everything sounds half-remembered, half-there, half-real.” Wikipedia

Boomkat Product Review:

The debut album by Goatman, a new solo project by one of the mysterious members from the Swedish collective GOAT. The 6 tracks on Rhythms reveal a true collision of African Rock, Jazz, Reggae, Gospel and Psych, but all put through the famous GOAT filters. Rhythms is a very apt title for the album as each track is an exploration of the ‘groove’. From the Fela Kuti‘esqe drums and horns jam of Jaam Ak Salam, to the frantic gospel-jazz of Carry the Load. From the fuzzed Can via the ‘Bristol sound’ track of Hum Bebass Nahin, to the cinematic, Spacemen 3‘esqe drones of the album closer Baaneexu. The end result is quite an astonishing and very unique album, like what you would expect from an album made by a member of GOAT – an album that is hard to put your finger on, but one that you will keep revisiting, the more it’s sounds reveals itself. Goatman plays all the instruments on the album bar some additional drums by Hanna Östergren from fellow Swedish bands Hills and Träd, Gräs & Stenar, and an added horn section courtesy of Johan Asplund, David Byström. One of the standout highlights of the album though is the collection of great guest vocalists Goatman has enlisted. Tracks Jaam Ak Salam and Aduna feature the very special voice of Senegalese singer Seydi Mandoza. You will also hear the vocals of Swedish based singers Amanda Werne on Carry the Load and Amerykhan on Hum Bebass Nahin. Goatman’s passion for traditional and contemporary music from around the world can be clearly heard when listening to Rhythms. The level of authenticity and willingness for exploration that Goatman has captured truly shows a fanatical respect for the music he is greatly influenced by. But at the end of the day, Rhythms is an album that has a sole purpose, and that is for to you to enjoy, dance and have fun too!” Boomkat Records

https://youtu.be/0xi1qxY41vA

Fronted by vocalist Lalin St. Juste, The Seshen is a seven piece band based from San Francisco. Mixing live and electronic elements and taking influence from eclectic sources including psychedelia, hip-hop, pop, R&B, West African music, dub, and indie rock, they create beat-driven compositions with a strong emotional core. -Tru Thoughts Records.

Heres a 7 track playlist with some stunning animation and live performances. To cycle through the songs use the Youtube controls in the bottom left of the screen 

One of the most exciting emerging voices in electronic music, David August has, at just 25 years old, continually refused to conform. He has released music on labels spanning underground hothouse Innervisions and Diynamic; remixed the likes of Max Cooper and The Acid; won 4th place in Resident Advisor’s best live acts of 2014 and 2015; embarked on a PHD in sound design; worked on politically charged music with Greek harpist and singer Sissi Rada; and performed with the 50-piece Deutsches Symphonie-Orchester Berlin for 3 consecutive sold out nights. – Ninja Tune

The first shafts of morning light creep over the hilltop terraces, illuminating the ancient commune of Palestrina – David August breathes new air. Born in Hamburg in 1990, August composes and performs multifaceted electronic music with hopeful tones and a human aesthetic. “Creating music – the act of creating in general – should be free from rationalization. In the best case, relying solely on subconscious communication,” says the classically trained multi-instrumentalist. – Resident Advisor

Joe Pilgrim

JOE PILGRIM & THE LIGERIANS – dibyz-music.com
Joe Pilgrim is a charismatic singer with a singular and melodious voice, and he has been a player of the Reggae and Dub scene since 2005. His energy, his spiritual sensitiveness and his humanity make him an authentic and endearing figure – Soundcloud
Joe Pilgrim & The Ligerians’ first Official Music Video. ‘Lion’ from the album ‘Intuitions’, performed and recorded Live.

 

 from the album “Intuitions” (2015)

 

Migrants strongly denounce the inhumanity of European political powers in managing the migration crisis of recent years. It pays tribute to the boundless courage of these men and women who travel thousands of miles to find a land of freedom. With the help of the Rastas du Coeur association , Joe Pilgrim got in touch with the volunteers of associations working in the “jungle” camp in Calais. He went there to meet and carry the voices of these men, women and children in transit in these makeshift camps. With the collaboration of Juliette Baudot and Ma Kata , they shot the documentary clip of this title.Joe Pilgrim & The Ligerians announce that they have decided to donate all proceeds related to the downloads of the title to the association L’auberge des migrants – by Boris Adamczyk / Fraca-Ma – 23/02/2018

 

Tony Allen
One of the high points of his post-Fela catalog was  in the 1999  record Black Voices, which crosses over so many musical boundaries that it is impossible to name them all. A group effort in every sense of the word, Tony Allen found himself surrounded with some of the most innovative, talented, and energetic musicians on the planet, and the sounds and moods they created as a group represent the pinnacle of what can happen when such talent is properly focused. Each of the tracks on Black Voices explodes with positive energy and irresistible grooves, yet there are also social criticisms and observations running underneath the stunning musical arrangements. – music_emporium

 

As a key member of Fela Kuti’s band Africa 70, Tony Allen single-handedly created some of the most propulsive and innovative rhythms of the 20th century. Homecooking finds him on scarily good form, laying down a foundation of the crispest, spikiest drum tracks. All the familiar Afro-beat elements are present and correct, including hard-riffing horns and righteous, mantra-like vocals. There is also more than a touch of Kuti in some of the lyrics, which address such concerns as war, the folly of taking advantage of other people’s kindness, and generally staying in touch with your roots. The album has an edgy, contemporary feel, courtesy of English rapper Ty and Damon Albarn, who appears on the lead-off single, Every Season. Albarn layers Allen’s loose, spacious groove with a catchy hook-line, although the rest of the album is stronger on hip-swivelling rhythms than hummable melodies. – The Guardian

 

 

Tony Allen played drums in Fela Kuti’s bands between 1964 and 1978, contributing a vital element to Afrobeat’s evolution. And while he’s been active as a bandleader for nearly three decades, Allen’s presence has intensified during the last five years. This set was recorded in Lagos, and manages to harness the rugged grit of that difficult city, whilst simultaneously presenting Allen’s signature sound with a slick production sheen. Intense horn riffs, choppy guitar, call-and-response vocals: all of these elements are interwoven with Allen’s detailed, cyclic beats, his taut tripping lending an elastic tension to the dancefloor. – BBC

https://youtu.be/R70MyZpVxBE

 

 

 

The sticker affixed to the front of Tony Allen’s new album says it all, really. “Perhaps the greatest drummer ever,” reads a quote from Brian Eno; “Without Tony Allen, there’d be no Afrobeat,” reads a quote from the late Fela Kuti.  Allen has never crossed over and become a name of wide renown, and oddly his Nonesuch debut could give the drummer his widest platform to date. Yet Secret Agent is only the latest step of a creative continuum set in motion over 40 years ago, beginning with Allen’s pioneering and prolific work in Fela Kuti’s band through his years as a solo act and bandleader and even, a few years back, as a quiet but important component of Damon Albarn’s the Good, the Bad & the Queen project. Allen’s particular genius has been his ability to lie just behind the beat, pushing and pulling the song without calling too much attention to himself. Secret Agent frequently directs your attention to the song’s component parts– the backing brass, Cameroonian guitarist Claude Dibongue’s jazzy licks, Rody Cereyon’s funky bass on tracks like “Ijo” or “Ayenlo”. (Those two feature R&B-like vocals from Orobiyi Adunni, one of several guest singers; Allen himself grumbles lead on the title track and album closer “Elewon Po”. In fact, it’s so easy to get lost in these elements that Allen almost blends into the background, camouflaged, his cymbal pings, rolls, and ghost strokes like rivets holding the whole construct together.Granted, Secret Agent doesn’t represent Afrobeat at its most fiery, but it does represent Allen (nearing 70) continuing his late career high, mellow in the way he swings songs like “Busybody” or “Pariwo” (the latter surprisingly strident nonetheless despite its gentle, accordion-laden gait) but never more confident. Leave it to Fela scions Seun and Femi (among other aspirants to the Afrobeat throne) to swagger like they’ve got something to prove. But Tony Allen? Allen as always lies back and waits for you to come to him. – Pitchfork

https://youtu.be/XeckmmNPwc8

 

 

 

Film of Life doesn’t quite break new ground for Allen, but it does offer a pretty solid and succinct demonstration of Afrobeat’s adaptability to changing times. There are no side-long epics in the Fela mold here, but Allen packs quite a bit into each of these four-to-seven-minute-tracks, building up from his own drums grooves with hypnotic guitar and bass patterns, a richly arranged horn section, and an assortment of other sounds that are nearly all overwhelmed by the massive rhythm that dominates everything. Allen himself handles vocals on the first two tracks, mostly talking in his deep bass register and aided by a female chorus, narrating a personal history and thanking the listener for being there. His voice is appropriately situated well down in the mix; he does his best talking with his hands, and though he shows a little uncharacteristic flash here and there, the really impressive thing about Allen is the way he can take a simple, slow beat like the one on “Tiger’s Skip” and make it sing when a lot of drummers would have trouble just staying in time at that tempo. Comparing it to the much faster beat on the storming, spacey funk instrumental “Ewa” reveals a lot about what makes his playing so special; no matter what else is going on, Allen has an ability to stay steady and fill time with exactly as much embellishment as necessary. – Pitchfork

https://youtu.be/67k5B35B7Oo

 

 

 

Clutchy Hopkins

 

 

There’s a spare, spacious approach on Walking Backwards that almost reminds us of the energy that we first felt in DJ Shadow’s groundbreaking work of a decade before — a similar love of gritty, organic source material — and an ear for putting it together with lots of dark twists and turns that balance nicely between classic funk and current hip hop production sensibilities. The flavor of each tune changes nicely — making the album way more than just a clichéd collection of beats…” – Dustygroove

 

 

The music on The Life of Clutchy Hopkins is a marvelously concocted and amazingly fresh & contemporary mesh of funk, hip-hop, jazz, and straight-out weird orchestral psychedelia (Hopkins played all the instruments himself, which include drums, bass, guitar, organ, flute, melodica, and assorted percussion) – Bandcamp

 

 

           2009’s Fascinating Fingers by Shawn Lee & Clutchy Hopkins

 

 

Clutch of the Tiger sounds like a collection of film-noir tracks run through the Clutchy Hopkins and Shawn Lee magical music machine. It’s dusty and mysterious junkyard jazz that’s powered by sly beats and other-worldly funk. Famous comic book creator Jim Mahood (who has worked on Spiderman/Marvel, Clerks, Grrl Scouts, Stupid Comics, etc etc) liked the tunes so much he provided the killer artwork for the package! – Ubiquity Records

 

 

Music is my Medicine –  Late in ’08, Ubiquity was approached by the mysterious Misled Children about another project from Clutchy Hopkins, the man they claim to represent. A vintage Caribbean tracksuit jacket was found in the office fridge, and written in permanent marker on the inside right arm was their request for a meeting where we would “get another piece of the Clutchy Hopkins puzzle.” Cutting a long story short, we acquired a bag of 2-inch reels that contained the dusty, dubbed out Clutchy Hopkins tracks on this LP. Take a pinch of Hopkins deep musical madness and add a sunshine-blessed dubbed-out twist, and that is “Music Is My Medicine”. Ubiquity 

 

Since having moved to Cape Town in 2007, Jumping Back Slash has released a slew of music including 13 self released EPs along with releases on the likes of Pollinate, Loose Squares, Enchufada and Cotch International. With a sound that fuses South African influences such as gqom with a grimey and dark sonic palette he has worked with the artist such as Spoek Mathambo, Okmalumkoolkat, Fantasma, Batuk, Omo Frenchie and Loui Lvndn as a producer/ co-producer and mixing engineer Red Bull Academy 

 

Inner City Outer Space Present: Sound of Suid Tronica Jumping Back Slash – UK born but South African based since 2007, JBS captivates his audience with his high-energy, hypnotic and penetrating sounds which veers towards Gqom and a darker, grimier and more stripped down sonic palette. Having grown up in the 90s London rave scene, JBS got in touch with South African kwaito and house music when he arrived in Cape Town and has since released music with labels: Pollinate, Loose Squares, Enchufada and Cotch International as well 13 self-released EPs. Having collaborated on productions with local artists such a Hlasko, Nonku Phiri, Shane Cooper, Umlilo, Jackie Queens, Spoek Mathambo and Eve Rakow to name a few. With a heavyweight catalogue of music that has garnered support from international acts Auntie Flo, Esa and Mervin Granger, Scratcha DVA, Mosca, DJ Simbad, Totally Enormous Extinct Dinosaurs, Alexander Nut, LV, Chrissy Murderbot, Jackmaster, Teki Latex, Falty DL and Benji B to name a few. A philosopher of great brilliance, Gareth reminded us of his prowess as he laid down this bold and beautiful set. – Youtube

Image result for jesse rae

 

Born in Scotland in 1951 Jesse Rae is an unashamed champion of Scottish culture and independence. In the 1970s Rae moved to the USA securing work in the New York stock exchange to fund his stay. Through work in Cleveland and Los Angeles studios, he became acquainted with several leading soul and funk artists, including Roger Troutman, Bernie Worrell and Nairobi Sailcat  from the Parliament/Funkadelic tribe.  In 1981 he worked with Worrell as part of the eccentric P-Funk offshoot Space Cadets. Rae has since become a respected director, partially through the need for video and audio tapes to support his live appearances. In 1996, he became the first musician to release an entire album over the Internet. As well as vocals, he also plays the bass and keyboards.

Bit of a weird glitch at the beginning but I haven’t been able to locate a better version. 

 

12” single release from 1984. Awesome P Funk vibe, with  a crazy change up. Wait for it!

 

Inside Out is a great example of his often campy pop funk brand of music. Kind of cheesy, but I think its at least partially intentional. The highlight of this track for me is definitely that funky slap bass.

 

 

 The Lass That Made The Bed Tae Me- Jesse Rae & The Robinson Brothers adaptation of the Robert Burns poem to funk.

 

 

This was his only hit, and a minor one at that, reaching number 65 in the UK Singles Chart in 1985. Its not normally the kind of music I would listen to, but you have to take in the whole package of the Claymore caricature to really appreciate Jesse Rae.

 

https://youtu.be/dOad0FU9zF8

 

A live clip of Over the Sea. 2011 so he would be 60 years old in this. Pretty good energy!

 

He also featured on vocals on 70’s Cleveland psych rock band Granicus.

Skinshape

Image result for skinshape live

Skinshape is the project of British musician, William Dorey. The sound has roots in many genres, from 1960s-70s Funk, Soul, Reggae and Psychedelic Rock to Afrobeat and Folk. Out of a love for old music and the way it sounded, Dorey initially experimented with samples (especially drum breaks) to create instrumental hip-hop/trip-hop tracks, but then later started to play around with tape machines as a means to create his own ‘samples’. This process gave birth to Skinshape, with all elements being recorded by Dorey since the first self-titled album, released in 2014. He released his second album “Oracolo” in 2015, and in 2017 he released his third album “Life & Love”. Aside from the Skinshape project, Dorey was bassist for the band Palace from 2014-2017, and also runs a reggae label called Horus Records, based in North London. – Spotify

                                             

Arrogance is the Death of Men (Full Album)

Umoja- Released June 19, 2020

Release dateNovember 23, 2018

https://youtu.be/bxMOTNbz8HE

Image result for psy dub

Psydub Playlist – Psydub is a sub genre of electronic music that has its roots in psychedelic trance, ambient and dub music. Incorporated dub elements are melodic basslines, deep reggae roots and production techniques like echo, reverb, delay and occasional dubbing of vocal or instrumental snippets, from the original version or other works. An incorporated ambient element is an emphasis on tone and atmosphere. Incorporated psytrance elements are low-bass frequencies and hypnotic melodies and the use of samples. Those samples mostly contain references to drugs, parapsychology, extraterrestrial life, existentialism, out of body experiences, dreams, science, time travel, spirituality and similar mysterious and unconventional topics. Psydub is also highly influenced by the music of India. Wikipedia. Image :    https://lets.events/e/psydub

 

 

Vancouver’s Christopher Smith is the musical force known as Dralms. It’s hard figure out what style of music it is, a lot of his tracks are bass driven and and experimental at times, while other songs are more subdued and introspective. The Peaking Lights reggae remix of Shook is better than the original in my opinion.

Philip Fullwood’s ultra-rare 1979 LP Words In Dub. Assisted by Winston McKenzie, the Burning Spear-affiliated artist lays down eight tough dubs full of hiss and crackle. – Norman Records

Ultra-rare dub album produced by Winston McKenzie and the Burning Spear-affiliated Phillip Fullwood. Very raw JA-dub. Check the tune Reorganize The Race (Marcus Say) for some crashing cymbals and heavy percussive reverberation. Rough. Highly recommended. Several of the rhythms were later picked up and voiced on the equally rare I-Mo-Jah LP and obscure JA released singles. – Discogs

Underground System  is a New York band comprised of a diverse group of musicians that count Afrobeat, Funk and Brazilian music as influences in their sound. 

Soundcloud audio is generally much higher quality than Youtube.

Bella Ciao Remixes

 

SUNS OF ARQA is an epic sonic mission led by luminary Michael Wadada, who formed the band in 1979 after receiving higher guidance during a trip to Kingston, Jamaica while working with the legendary roots reggae chanter Prince Far I. Over 200 artists have collaborated with the eclectic SUNS OF ARQA creating some of the most sublime Dub – World – Dance – Raga – Reggae Music in the world today. Suns of Arqa creator and mentor Michael Wadada began his collaborative recordings with cult classic album ’Revenge of the Mozabites’, together with On U Sounds creator Adrian Sherwood, and were subsequently invited by Peter Gabriel to perform at the very first WOMAD Festival. Over the years, SUNS OF ARQA have included musicians from around the globe, interpreting the various indigenous, tribal and classical folk traditions and performing at many of the major music festivals including Glastonbury, Big Chill, Telerama Dub Festival, WOMAD, Transmusicales, Glade, Sziget, Ozora, Boom & Roskilde, to name but a few. Soundcloud

https://soundcloud.com/suns-of-arqa-official/devil_dead_out

Hot Casa Records presents Dans le Tchink Système, an Afro-soul treasure by Stanislas Tohon. Tohon was born in 1955 in Abomey, Benin, and, at the age of nine, began a musical career that would produce over thirty albums and many collaborations with such greats as Africando vocalist Gnonnas Pedro. Influenced by traditional tchinkoumé music, Tohon developed his own musical style called “Tchink Système,” a mix of modern soul and Beninese traditional rhythms. Tohon recorded Dans le Tchink Système in Kumasi, Ghana, in 1979, with the incredible Vis-à-Vis Band of Ghana. The album is presented here in full, along with “Africa,” the B-side of Tohon’s rare debut 7″, recorded the year before with Ghanaian band Les Satelites. Sung in Fon, Tohon’s native language, this album is a soulful call for peace and unity in Africa and an exemplary collection of Afro-soul music. This incredibly hard-to-find record is now available again, remastered and limited to 1000 copies. – Forced Exposure

After making her name fronting Ntombi & Survival, Ntombi Ndaba went solo in the late 80s. Her band also did their own thing, releasing The Big Mechanics in ’89 as The Survivals, and continued to back her on Mina Ngilijaja. It’s vintage bubblegum that shows off Ntombi’s powerful vocals and songwriting skills, driven by uptempo synths and the complimented by the emphatic backing vocals of The Angels. The title track (‘I am the judge’) is a self-affirmation of note (“You can’t tell me what to do!”), ‘Flood’ references the classic ‘Pule ea na’ by Hugh MasekelaMara Louw, the Black Five and others, while obligatory slow jam ‘Weakness In Me’ is an uncredited but impressive cover of Joan Armatrading’s 1981 hit. – Blogspot